The HFP-x00 would generate the needed carriers which would be recorded by the attached deck, and during playback, the AFM carriers would be passed to the HFP-x00. However, the chroma resolution still remained relatively poor, limited to just under 0.4 MHz or approximately 30 lines resolution, whereas live broadcast In 1988, Sony would again push the envelope with ED Beta, or "Extended Definition" Betamax, capable of up to 500 lines of resolution, that equaled DVD quality (480 typical). Sony was confident that VHS could not achieve the same audio performance feat as Beta Hi-Fi. On average Betamax players were about $1,000 while a VCR that played a VHS tape was around $300. The professional beta formats used the same physical cassette but recorded a different, non-compatible signal.

The New Yorker (New York), 13 April 1987. Betacam, Betacam-SP, Digital Betacam are examples of the professional formats. Sony offered two outboard Beta Hi-Fi processors, the HFP-100 and HFP-200. While it lasted for about five years, it was soon replaced by the VHS tape format. The somewhat unintuitive analog resolution loss for 16:9 DVD compared to 4:3 DVD arises from the fact that analog resolution unit is "lines per picture height".

These were aimed at the same market as Betamax also had a significant part to play in the music recording industry, when Sony introduced its PCM (Initially, Sony was able to tout several Betamax-only features, such as BetaScan—a high speed picture search in either direction—and BetaSkipScan, a technique that allowed the operator to see where he was on the tape by pressing the FF key (or REW, if in that mode): the transport would switch into the BetaScan mode until the key was released. "Annals of Law; The Betamax Case: Part 1. Sony incorporated an "antihunt" circuit, to stop the machine hunting for a Y carrier that wasn't there.Some Sony NTSC models were marketed as "Hi-Fi Ready" (with an SL-HFR prefix to the model's number instead of the usual SL or SL-HF). One such format is Betacam, which first came out in 1982 as a professional version of Betamax and was improved in subsequent years with the formats Betacam SP and Digital Betacam. Sony did market Beta ED to "semiprofessional" users, or "Despite the sharp decline in sales of Betamax recorders in the late 1980s and subsequent halt in production of new recorders by Sony in 2002, Betamax, SuperBetamax and EDBeta are still being used by a small number of people. The original Betacam cassettes were basically the same as Betamax. The top end EDV-9500 (EDV-9300 in Canada) deck was a very capable editing deck, rivaling much more expensive U-Matic set-ups for its accuracy and features, but did not have commercial success due to lack of timecode and other pro features. Especially when VHS was a good product, even if it wasn’t as good as Betamax. Betamax (přezdívaný také jako Beta) je komerční analogový formát videozáznamu, který využívá magnetického záznamu.Byl vyvinut společností Sony a uveden na japonský trh 10. května 1975. Betamax and Betacam tapes were interchangeable (unlike the later Betacam SP tapes).Betacam tapes came in two sizes: S (small) and L (large). "The New Yorker (New York), 6 April 1987. Betacam and Betamax are similar in some ways: they use the same video cassette shape, use the same oxide tape … This was possible because unlike a VHS Hi-Fi deck, an NTSC Betamax didn't need an extra pair of heads. Though Betacam was the preferred format for broadcast television and was used in professional post-production into the 2000s, the format is quickly becoming obsolete. If the user desired a Beta Hi-Fi model but lacked the funds at the time, he could purchase an "SL-HFRxx" and at a later date purchase the separate Hi-Fi Processor. U.S. Legal DecisionJohn Howells. The consumer simply was not willing to pay that much more for slightly better picture and sound. As Sony was being humiliated in the VHS vs Betamax war, a similar war was being fought in the professional video arena with very different results.. Betacam, launched in 1982, was the first professional video format in the Sony Beta range.In stark contrast to the failure of Betamax in the home video market, Betacam was a great success. When picture height is kept the same, the same 720 pixels are spread to a wider area in 16:9, hence lower horizontal resolution per picture height. Even though Sony stopped making new cassettes in 2016, new old stocks of Betamax cassettes are still available for purchase at Below is a list of modern, digital-style resolutions (and traditional analog "TV lines per picture height" measurements) for various media. Released in 1982, Betacam became the most widely used videotape format in ENG (electronic news gathering), replacing the .75 in (19 mm) wide U-matic tape format. "Annals of Law; The Betamax Case: Part 2." Prvním zařízením Betamaxu představeném v USA byla herní konzole LV-1901, která obsahovala barevnou obrazovku s úhlopříčkou 19 palců (48 cm). Beta Tapes: Betamax vs. Betacam. For Prior to the introduction of Beta Hi-Fi, Sony shifted the Y carrier up by 400 kHz to make room for the four FM carriers that would be needed for Beta Hi-Fi. The Betacam Format. Betacam cameras used the S size; Betacam tape decks could use either size. VHS vs. Betamax 2003-11-25 06:25:24 I read somewhere in this forum and elsewhere some time ago that the Betamax tape format was indeed better than VHS, but for marketing reasons the latter replaced the former. They also had a small "fine tracking" control on the rear panel for difficult tapes. Because it used standard video signals, VHS camcorders could review footage in the camcorder and copy to another VCR for editing. Since over-the-antenna and cable signals were only 300–330 lines resolution, SuperBeta could make a nearly identical copy of live television. The list only includes popular formats. VHS manufacturers found a better solution to drum miniaturization (it involved four heads doing the work of two). Richard , I think Betamax was better because: Betamax is better because it has a higher resolution,the cassettes are very long lasting and you can copy everything with macrovision.

Variety (Los Angeles), 18 June 1984.Lardner, James.

In fact, Betacam’s digital version — aka DigiBeta — went on to become the most successful professional videotape format in history. I’d would be cautious about investing in a Betacam deck.