inclusion of a humorous character, scene, or witty dialogue in an otherwise serious work, often to relieve tensionComic relief is used in the scene with the porter because it is silly, and in the banquet scene because Macbeth makes a fool out of himself.But clothes aren't just keeping the nobles warm in their drafty castles; they're also functioning symbolically to represent these people's stations in life—earned, or stolen.Here, "robes" is a metaphor for the title (Thane of Cawdor) that Macbeth doesn't think belongs to him.e "borrowed clothes" are a symbol for the property and title of Cawdor. This may foreshadow his feelings towards the crown further on.Like our strange garments, cleave not to their mould / But with the aid of use:like any new clothes, don't fit the body correctly without being worn for a while.Macbeth imagines his fame to be a kind of glorious new coat, which he will enjoy wearing. In addition, they are "our" robes; everyone in Scotland will be affected by the way in which the new king handles his powers.The attachment of human traits such as emotions, thoughts, sensations and feelings to inanimate objects. Definition. In this intermingling period, the porter appears in the scene. But De Quincey finds the scene all Shakespearean but denies the part of comic relief. Thus, stronger emotions to the murder scene are brought out from the audience, effectively captivating their attention to the play.Back in Shakespeare’s time, the audience had no trouble understanding the meaning of the words used in his plays. Macbeth throws a banquet for the nobles after having The scene is comical in many ways. While this scene elicits laughter, it also contributes to Shakespeare’s condemnation of Macbeth’s escapades.Macbeth’s porter scene also furthers the drama’s structure. However, the character’s drunken stupor also gives rise to one of the second act’s central metaphors – the house of Macbeth as the gates of hell.His speech refers to satanic images, and he views himself as Beelzebub’s gatekeeper. The use of pathetic fallacy was that it made the scene more of fear and violence. No one has time to read them all, but it’s important to go over them at least briefly. It also could be a vision sent by Start your 48-hour free trial and unlock all the summaries, Q&A, and analyses you need to get better grades now.
The Porter scene in Macbeth, the grave-digger scene in Hamlet and the gulling of Roderigo provide immense comic relief. In Macbeth, comic relief is shown through the Porter, who makes his entrance right after the dramatic scene, high in tension, where the king of Scotland, Duncan, is murdered. . Comic relief is used in the scene with the porter because it is silly, and in the banquet scene because Macbeth makes a fool out of himself. He believes that both Lady Macbeth formed to ‘the image of devils’. The metaphor suggests that the new robes may not fit ("sit [easily]") the new King properly, which for the reader, begs the question of whether or not Macbeth is ready and capable of being King. This is known as comic relief.

In order to calm the audience down, the author of the play or story has to use In all of Shakespeare’s tragedy plays, comic relief is used in order to bring out the full effect of the unfortunate events that occur, mainly through contrast. Eventually, Lady Macbeth cannot take it anymore and shoos the others out before Macbeth makes more of a spectacle and has them doubting his sanity.Although the scene with the porter is funny, the banquet is much more important.

In this case, the extreme tension of the murders in Act II, Scene 2, there follows complete silliness in Scene 3. Examples are smiling/dancing flowers, angry/cruel winds, and brooding mountains.In Macbeth, most of the times pathetic fallacy is used to represent deaths, mystery, and evil deeds such as deceit.t not only effortlessly displays any hidden meaning, but also illustrates the connection of the event with nature's and God's reaction in the form of human emotions.On the night that Macbeth was to kill Duncan, a storm had come upon them of thunder and lighting.