114 (Forellenquintett, "Trout")Trio No. NO, the first cellist to make this kind of project and recording was Annlies Schmidt, with her 1957 recording of the Suites.
She also followed closely the Anna Magdalena Bach Manuscript, playing on guts strings, with a baroque bow, and the 6 th Suite on a 5 string cello.
Reason enough to make it my top choice.At various times I have worked with the CATO Institute, written for the Washington Post, contributed to Washington's Public Radio Station, and sold classical music at…At various times I have worked with the CATO Institute, written for the Washington Post, contributed to Washington's Public Radio Station, and sold classical music at Tower Records. All other works are either adaptations or reconstructions of concertos written either for different instruments or adapted for other instruments from subsequently lost originals for the violin or concertos for more than one violin (BWV 1043 for two violins is a common disc-mate) or violin and another instrument (like the reconstruction of BWV 1060 for violin and oboe instead of two harpsichords)… You get the point.I’ll consider any recording that includes at least BWV 1041 & 1042 and I can think of many recordings I’d give a more eager spin than Hope’s, though in fairness: His account is absolutely listenable compared to the dated, sentimentalized mess that the likes of No.4 Goldberg Variations Duo Tal and Groethuysen (Sony)My Choice: Duo Tal and Groethuysen (Israeli-German, Sony)Glenn Gould is admittedly Canadian, not English (or even British), but for one he is the can’t-get-around-figure when it comes to There’s a litany of recordings I love for different reasons, Gould included: For example Konstantin Gramophone’s Choice: Trevor Pinnock (English, Hänssler)The Partitas (a.k.a. 1 In E-flat Major, Op. Witnessing the gruesome death of Jesus and the ensuing earthquake, the heathen Roman executioners and their captain (of all people) are the first non-disciples to grasp the meaning of what has happened before them, and thus the beginning of Christendom. Bach's Brandenburg Concertos are a microcosm of Baroque music. The 10 best Baroque operas and recordings Antony Craig Thursday, July 4, 2013 Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. It is just a collection of "encores" and popular baroque pieces aimed for the casual listener who just wants to get a dose of pleasurable entertainment or relax without investing too much mind or heart in it.
EMI's Best Baroque 50 is a triple-disc compilation of recordings, organized according to three European regions closely identified with different styles and practices in the 17th and 18th centuries.
Not English!
Her account is terrific and has been very special to me No.9 Mass in B minor Netherlands Bach Society / Jos van Veldhoven (Dutch, Channel Classics)Gramophone’s Choice: Dunedin Consort and Players / John Butt (English, Linn)My Choice: Netherlands Bach Society / Jos van Veldhoven (Dutch, Channel Classics)For its Ninth-out-of-Nine Anglo-centric recordings, Gramophone nods to the Scots and the Edinburgh-based HIP Dunedin Consort led by Englishman John Butt. Receive a weekly collection of news, features and reviews
Haydn - The Creation (Monteverdi Choir/English Baroque Soloists/ John Eliot Gardiner) John Eliot Gardiner manages to coax out the sinewy intensity of the opening from one of Haydn's most free-form and experimental works. Nothung!" 99The Swan Of Tuonela (Lemminkainen Legend, Op. Bach is the P.G. Older recordings, with their cheeks blown and their muscles flexed, might more appropriately called “the Matthew Passion transcribed for Orchestra and Chorus” (in Sound choices, all; I’ll go with a spiritual one: With Enoch zu Guttenberg’s and his “Sound Administration Orchestra” (The coup of Guttenberg’s interpretation of the Matthew Passion is that he elevates—or rather: uncovers and restores—the climax of Matthew’s gospel as the highpoint of Bach’s work. Their Among HIP versions, I’d also take John Elliot Gardiner (who has just brought out his second recording with the Monteverdi Choir and his English Baroque Soloists; Still, I’ve no hesitations when it comes to a “best”, which is to say favorite, version: Jos van Veldhoven and the Netherlands Bach Society on Channel Classics! Wodehouse and the Shakespeare of the musical score rolled into one.
Label: The Franklin Mint Record Society - FM1001 - FM1100 • Series: The 100 Greatest Recordings Of All Time • Format: 100x, Vinyl LP, Stereo, Mono Red Vinyl50x, Box Set Compilation, Deluxe Edition • Country: US • Genre: Classical • Style: Baroque, Classical, Romantic, Impressionist, Modern
Now, following fascinating productions this summer of both Charpentier’s
... 46. With a biography to match, versatile interests and talents, he’s someone every violinist should study for PR utilization, if not technique. From Siegfried, Act I"Ein Schwert Verhiess Mir Der Vater" From Die Walküre, Act I, Scene 3Rhapsody On A Theme Of Paganini For Piano & Orchestra, Op.
Their hearts change and they acknowledge (“Due chori in unisono”): “Truly… truly: this was the Son of God.” Notably, it’s the only time Bach lets both choirs sing unisono. No-nonsense, no-picture publications like the American Record Guide or Fanfare Magazine (both American), which exude the charm of telephone books, are total geek literature, arcane, loved by the few dedicated readers, and more or less published out of the basements of their respective, dedicated publishers… private ventures and labors of love that, like the lamented International Record Review, won’t likely survive their founders.Their list, 90% Anglocentric, reads almost as if the Italians, the French, the Dutch, the Germans, Czech, or Japanese etc. BBC Music Magazine gets close; Classic FM Magazine lasted nearly twenty years but wasn’t taken seriously by the cogniscenti. I should think that potential aliens might rather get too sanguine an impression of us* … but there we go: Bach is the bee’s knees, and anyone who knows Bach but doesn’t love his music is going to be suspect to me, lest I learn a exculpatory reason for their lamentable deficiency.